1 Argumentation Introduction

What Counts as an Argument?

Argument is not the loud, assertive, unwavering statement of your opinion in the hopes of conquering the opposition. I am sure you can think of times when you have encountered this type of argument. Argument–in college–is the careful consideration of numerous positions and the careful development of logically sound, carefully constructed arguments that, when combined, offer a worthwhile perspective in an ongoing debate. Certainly you want to imagine yourself arguing with others—and certainly you want to believe your ideas have superior qualities to theirs—but the purpose of argument in the college setting is not always to solve a practical problem and rarely is to shut down a conversation. Rather, it’s to illuminate, expand, and further inform a debate happening on a worthwhile subject between reasonable, intelligent people. In other words, calling the opposition stupid is not good argument, it’s an ad hominem attack on the opponent’s character.

All people, including you, make arguments on a regular basis.  When you make a claim and then support the claim with reasons, you are making an argument. Consider the following:

  • If, as a teenager, you ever made a case for borrowing your parents’ car using reasonable support—a track record of responsibility in other areas of your life, a good rating from your driving instructor, and promises to follow rules of driving conduct laid out by your parents—you have made an argument.
  • If, as an employee, you ever persuaded your boss to give you a raise using concrete evidence—records of sales increases in your sector, a work calendar with no missed days, and personal testimonials from satisfied customers—you have made an argument.
  • If, as a gardener, you ever shared your crops at a farmer’s market, declaring that your produce is better than others using relevant support—because you used the most appropriate soil, water level, and growing time for each crop—you’ve made an argument.
  • If, as a literature student, you ever wrote an essay on your interpretation of a poem—defending your ideas with examples from the text and logical explanations for how those examples demonstrate your interpretation—you have made an argument.

Rhetorical Argument and Academic Argument

The two main models of argument desired in college courses as part of the training for academic or professional life are rhetorical argument and academic argument.  If rhetoric is the study of the craft of writing and speaking, particularly writing or speaking designed to convince and persuade, the student studying rhetorical argument focuses on how to create an argument that convinces and persuades effectively.  To accomplish that goal, you must understand how to think broadly about argument, the particular vocabulary of argument, and the logic of argument.  The close sibling of rhetorical argument is academic argument, argument used to discuss and evaluate ideas, usually within a professional field of study, and to convince others of those ideas. In academic argument, interpretation and research play the central roles.

However, the academic argument and rhetorical argument often do overlap.  A psychologist not only wishes to prove an important idea with research, but she will also wish to do so in the most effective way possible.  A politician will want to make the most persuasive case for his side, but he should also be mindful of data that may support his points.  Thus, throughout this chapter, when you see the term argument, it refers to a broad category including both rhetorical and academic argument.

Before moving to the specific parts and vocabulary of argument, it will be helpful to consider some further ideas about what argument is and what it is not.

Argument vs. Controversy or Fight

Consumers of written texts are often tempted to divide writing into two categories: argumentative and non-argumentative. According to this view, to be argumentative, writing must have the following qualities: It has to defend a position in a debate between two or more opposing sides, it must be on a controversial topic, and the goal of such writing must be to prove the correctness of one point of view over another.

A related definition of argument implies a confrontation, a clash of opinions and personalities, or just a plain verbal fight. It implies a winner and a loser, a right side and a wrong one. Because of this understanding of the word “argument,” many students think the only type of argument writing is the debate-like position paper, in which the author defends his or her point of view against other, usually opposing, points of view.

For a fun illustration of the reductive nature of a mere fight, see “The Argument Clinic” (https://youtu.be/XNkjDuSVXiE, transcript here) skit from Monty Python.

 

These two characteristics of argument—as controversial and as a fight—limit the definition because arguments come in different disguises, from hidden to subtle to commanding. It is useful to look at the term “argument” in a new way. What if we think of argument as an opportunity for conversation, for sharing with others our point of view on an issue, for showing others our perspective of the world? What if we think of argument as an opportunity to connect with the points of view of others rather than defeating those points of view?

One community that values argument as a type of communication and exchange is the community of scholars.  They advance their arguments to share research and new ways of thinking about topics.  Biologists, for example, do not gather data and write up analyses of the results because they wish to fight with other biologists, even if they disagree with the ideas of other biologists.  They wish to share their discoveries and get feedback on their ideas.  When historians put forth an argument, they do so often while building on the arguments of other historians who came before them.  Literature scholars publish their interpretations of different works of literature to enhance understanding and share new views, not necessarily to have one interpretation replace all others.  There may be debates within any field of study, but those debates can be healthy and constructive if they mean even more scholars come together to explore the ideas involved in those debates.  Be prepared for your college professors to have a much broader view of argument than a fight over a controversial topic or two.

Argument vs. Opinion

Argument is often confused with opinion.  Indeed, arguments and opinions sound alike.  Someone with an opinion asserts a claim that he thinks is true.  Someone with an argument asserts a claim that she thinks is true.  Although arguments and opinions do sound the same, there are two important differences:

  1. Arguments have rules; opinions do not.  In other words, to form an argument, you must consider whether the argument is reasonable.  Is it worth making?  Is it valid?  Is it sound?  Do all of its parts fit together logically?  Opinions, on the other hand, have no rules, and anyone asserting an opinion need not think it through for it to count as one; however, it will not count as an argument.
  2. Arguments have support; opinions do not.  If you make a claim and then stop, as if the claim itself were enough to demonstrate its truthfulness, you have asserted an opinion only.  An argument must be supported, and the support of an argument has its own rules.  The support must also be reasonable, relevant, and sufficient.

 

Figure 1.1 “Opinion vs Argument”

Opinion vs Argument

 

Argument vs. Thesis

Another point of confusion is the difference between an argument and an essay’s thesis.  For college essays, there is no essential difference between an argument and a thesis; most professors use these terms interchangeably.  An argument is a claim that you must then support.  The main claim of an essay is the point of the essay and provides the purpose for the essay.  Thus, the main claim of an essay is also the thesis.

Argument vs. Fact

Arguments are also commonly mistaken for statements of fact.  This comes about because often people privilege facts over opinions, even as they defend the right to have opinions.  In other words, facts are “good,” and opinions are “bad,” or if not exactly bad, then fuzzy and thus easy to reject.  However, remember the important distinction between an argument and an opinion stated above: While argument may sound like an opinion, the two are not the same.  An opinion is an assertion, but it is left to stand alone with little to no reasoning or support. An argument is much stronger because it includes and demonstrates reasons and support for its claim.

As for mistaking a fact for an argument, keep this important distinction in mind: An argument must be arguable.  In everyday life, arguable is often a synonym for doubtful.  For an argument, though, arguable means that it is worth arguing, that it has a range of possible answers, angles, or perspectives: It is an answer, angle, or perspective with which a reasonable person might disagree.  Facts, by virtue of being facts, are not arguable.  Facts are statements that can be definitely proven using objective data. The statement that is a fact is absolutely valid. In other words, the statement can be pronounced as definitively true or definitively false. For example, 2 + 2 = 4. This expression identifies a verifiable true statement, or a fact, because it can be proved with objective data.  When a fact is established, there is no other side, and there should be no disagreement.

The misunderstanding about facts (being inherently good) and argument (being inherently problematic because it is not a fact) leads to the mistaken belief that facts have no place in an argument.  This could not be farther from the truth.  First of all, most arguments are formed by analyzing facts.  Second, facts provide one type of support for an argument.  Thus, do not think of facts and arguments as enemies; rather, they work closely together.

Rhetorical Arguments

Some of the key tools of argument are the strategies that students are asked to consider when doing a rhetorical analysis. Before beginning an argument of your own, review the basic concepts of rhetorical appeals below. As you plan and draft your own argument, carefully use the following elements of rhetoric to your own advantage.

Rhetorical Appeals

Logos

The use of data, statistical evidence, and sufficient support to establish the practicality and rationality of your claims should be the strongest element of your argument. To have a logically sound argument, you should include:

  • A debatable and supportable claim
  • Logical reasoning to support your claim
  • Sound evidence and examples to justify the reasoning
  • Reasonable projections
  • Concessions & rebuttals
  • Avoid logical fallacies

Ethos

An appeal to ethos relies on the credibility of the writer–and the writer’s sources. If you do not trust the writer (or creator), you will not find the argument persuasive. To create an appeal to ethos, writers may mention their background, expertise, or relevant personal experience. They may rely on credible and authoritative sources and use citation methods (MLA, APA, etc.) to show readers those sources. The goal is to come across as ethical and trustworthy.

Pathos

The use of examples and language that evoke an appropriate emotional response in your reader—that gets them to care about your topic—can be helpful in argument. For academic essays, pathos may be useful in introductory sections, concluding sections, or as ways to link various parts of the paper together. An appeal to pathos can include personal stories, music (in a video), photos, and descriptions. The goal is to make your audience feel particular emotions and for those motions to move them to think or act in a particular way. However, if your argument is based solely or primarily upon emotional appeals, it will be viewed as weak in an academic setting, especially when data or ethical sources can disprove your claims. Therefore, college writing often puts more emphasis on logos and ethos.

Key Concepts for Academic Arguments

Imagine reading one long block of text with each idea blurring into the next. Even if you are reading a thrilling novel or an interesting news article, you will likely lose interest in what the author has to say very quickly. During the writing process, it is helpful to position yourself as a reader. Ask yourself whether you can focus easily on each point you make. Keep in mind that three main elements shape the content of each essay.

  • Purpose: The reason the writer composes the essay.
  • Audience: The individual or group whom the writer intends to address.
  • Tone: The attitude the writer conveys about the essay’s subject.
A triangle with the three points labeled Audience, Tone, and Purpose. Inside the triangle, two-headed arrows are between the three points and the word Content in the center.
Figure 1.2: The Rhetorical Triangle

The assignment’s purpose, audience, and tone dictate what each paragraph of the essay covers and how the paragraph supports the main point or thesis.

Identifying Common Academic Purposes

The purpose for a piece of writing identifies the reason you write it by, basically, answering the question “Why?” For example, why write a play? To entertain a packed theater. Why write instructions to the babysitter? To inform him or her of your schedule and rules. Why write a letter to your congressman? To persuade him to address your community’s needs.

In academic settings, the reasons for writing typically fulfill four main purposes:

  • to classify
  • to analyze
  • to synthesize
  • to evaluate

A classification shrinks a large amount of information into only the essentials, using your own words; although shorter than the original piece of writing, a classification should still communicate all the key points and key support of the original document without quoting the original text. Keep in mind that classification moves beyond simple summary to be informative.

An analysis, on the other hand, separates complex materials into their different parts and studies how the parts relate to one another. In the sciences, for example, the analysis of simple table salt would require a deconstruction of its parts—the elements sodium (Na) and chloride (Cl). Then, scientists would study how the two elements interact to create the compound NaCl, or sodium chloride: simple table salt.

In an academic analysis, instead of deconstructing compounds, the essay takes apart a primary source (an essay, a book, an ad, a YouTube video, a TikTok, an article, etc.) point by point. It communicates the main points of the source by examining individual points and identifying how the points relate to one another.

The third type of writing—synthesis—combines two or more items to create an entirely new item. Take, for example, the electronic musical instrument aptly named the synthesizer. It looks like a simple keyboard but displays a dashboard of switches, buttons, and levers. With the flip of a few switches, a musician may combine the distinct sounds of a piano, a flute, or a guitar—or any other combination of instruments—to create a new sound. The purpose of an academic synthesis is to blend individual documents into a new document by considering the main points from one or more pieces of writing and linking the main points together to create a new point, one not replicated in either document.

Finally, an evaluation judges the value of something and determines its worth. Evaluations in everyday life are often not only dictated by set standards but also influenced by opinion and prior knowledge such as a supervisor’s evaluation of an employee in a particular job. Academic evaluations, likewise, communicate your opinion and its justifications about a particular document or a topic of discussion. They are influenced by your reading of the document as well as your prior knowledge and experience with the topic or issue. Evaluations typically require more critical thinking and a combination of classifying, analysis, and synthesis skills.

You will encounter these four purposes not only as you read for your classes but also as you read for work or pleasure and, because reading and writing work together, your writing skills will improve as you read. Remember that the purpose for writing will guide you through each part of your paper, helping you make decisions about content and style.

When reviewing directions for assignments, look for the verbs that ask you to classify, analyze, synthesize, or evaluate. Instructors often use these words to clearly indicate the assignment’s purpose. These words will cue you on how to complete the assignment because you will know its exact purpose.

Identifying the Audience

Imagine you must give a presentation to a group of executives in an office. Weeks before the big day, you spend time creating and rehearsing the presentation. You must make important, careful decisions not only about the content but also about your delivery. Will the presentation require technology to project figures and charts? Should the presentation define important words, or will the executives already know the terms? Should you wear your suit and dress shirt? The answers to these questions will help you develop an appropriate relationship with your audience, making them more receptive to your message.

Now imagine you must explain the same business concepts from your presentation to a group of high school students. Those important questions you previously answered may now require different answers. The figures and charts may be too sophisticated, and the terms will certainly require definitions. You may even reconsider your outfit and sport a more casual look. Because the audience has shifted, your presentation and delivery will shift as well to create a new relationship with the new audience.

In these two situations, the audience—the individuals who will watch and listen to the presentation—plays a role in the development of presentation. As you prepare the presentation, you visualize the audience to anticipate their expectations and reactions. What you imagine affects the information you choose to present and how you will present it. Then, during the presentation, you meet the audience in person and discover immediately how well you perform.

Although the audience for writing assignments (or multimodal projects)—your readers—may not appear in person, they play an equally vital role. Even in everyday writing activities, you identify your readers’ characteristics, interests, and expectations before making decisions about what you write. In fact, thinking about the audience has become so common that you may not even detect the audience-driven decisions. For example, you update your status on a social networking site with the awareness of who will digitally follow the post. If you want to brag about a good grade, you may write the post to please family members. If you want to describe a funny moment, you may write with your friends’ senses of humor in mind. Even at work, you send emails with an awareness of an unintended receiver who could intercept the message.

In other words, being aware of “invisible” readers is a skill you most likely already possess and one you rely on every day. Consider the following paragraphs. Which one would the author send to her parents? Which one would she send to her best friend?

Example A

Last Saturday, I volunteered at a local hospital. The visit was fun and rewarding. I even learned how to do cardiopulmonary resuscitation, or CPR. Unfortunately, I think I caught a cold from one of the patients. This week, I will rest in bed and drink plenty of clear fluids. I hope I am well by next Saturday to volunteer again.

Example B

OMG! You won’t believe this! My advisor forced me to do my community service hours at this hospital all weekend! We learned CPR but we did it on dummies, not even real peeps. And some kid sneezed on me and got me sick! I was so bored and sniffling all weekend; I hope I don’t have to go back next week. I def do NOT want to miss the basketball tournament!

Most likely, you matched each paragraph to its intended audience with little hesitation. Because each paragraph reveals the author’s relationship with the intended readers, you can identify the audience fairly quickly. When writing your own essays, you must engage with your audience to build an appropriate relationship given your subject.

Imagining your readers during each stage of the writing process will help you make decisions about your writing. Ultimately, the people you visualize will affect what and how you write.

While giving a speech, you may articulate an inspiring or critical message, but if you left your hair a mess and laced up mismatched shoes, your audience might not take you seriously. They may be too distracted by your appearance to listen to your words. This response may not be fair–and it may reveal cultural, age, and other biases–but it exists

Similarly, grammar and sentence structure serve as the appearance of a piece of writing. Most importantly, they communicate your ideas to your readers. Polishing your work using clear writing will impress your readers and allow them to focus on what you have to say. To be clear, all forms of English are equally valid.

Because focusing on your intended audience will enhance your writing, your process, and your finished product, you must consider the specific traits of your audience members. Use your imagination and research to anticipate the readers’ demographics, education, prior knowledge, and expectations.

Demographics

These measure important data about a group of people such as their age range, their ethnicity, their religious beliefs, or their gender. Certain topics and assignments will require these kinds of considerations about your audience. For other topics and assignments, these measurements may not influence your writing in the end. Regardless, it is important to consider demographics when you begin to think about your purpose for writing.

Education

Education considers the audience’s level of schooling. If audience members have earned a doctorate degree, for example, you may need to elevate your style and use more formal language. Or, if audience members are still in college, you could write in a more relaxed style. An audience member’s major or emphasis may also dictate your writing.

Prior Knowledge

This refers to what the audience already knows about your topic. If your readers have studied certain topics, they may already know some terms and concepts related to the topic. You may decide whether to define terms and explain concepts based on your audience’s prior knowledge. Although you cannot peer inside the brains of your readers to discover their knowledge, you can make reasonable assumptions. For instance, a nursing major would presumably know more about health-related topics than a business major would.

Expectations

These indicate what readers will look for while reading your assignment. Readers may expect consistencies in the assignment’s appearance such as correct grammar and traditional formatting like double-spaced lines and legible font. Readers may also have content-based expectations given the assignment’s purpose and organization. In an essay titled “The Economics of Enlightenment: The Effects of Rising Tuition,” for example, audience members may expect to read about the economic repercussions of college tuition costs.

Selecting an Appropriate Tone

Tone identifies a speaker’s attitude toward a subject or another person. You may pick up a person’s tone of voice fairly easily in conversation. A friend who tells you about her weekend may speak excitedly about a fun skiing trip. An instructor who means business may speak in a low, slow voice to emphasize her serious mood. Or, a coworker who needs to let off some steam after a long meeting may crack a sarcastic joke.

Just as speakers transmit emotion through voice, writers can transmit a range of attitudes and emotions through prose–from excited and humorous to somber and critical. These emotions create connections among the audience, the author, and the subject, ultimately building a relationship between the audience and the text. To stimulate these connections, writers convey their attitudes and feelings with useful devices such as sentence structure, word choice, punctuation, and formal or informal language. Keep in mind that the writer’s attitude should always appropriately match the audience and the purpose.

Exercise

Read the following paragraph and consider the writer’s tone. How would you describe the writer’s attitude toward wildlife conservation?

“Many species of plants and animals are disappearing right before our eyes. If we don’t act fast, it might be too late to save them. Human activities, including pollution, deforestation, hunting, and overpopulation, are devastating the natural environment. Without our help, many species will not survive long enough for our children to see them in the wild. Take the tiger, for example. Today, tigers occupy just seven percent of their historical range, and many local populations are already extinct. Hunted for their beautiful pelts and other body parts, the tiger population has plummeted from one hundred thousand in 1920 to just a few thousand. Contact your local wildlife conservation society today to find out how you can stop this terrible destruction.”

Choosing Appropriate, Interesting Content

Content refers to all the written substance in a document. After selecting an audience and a purpose, you must choose what information will make it to the page. Content may consist of examples, statistics, facts, anecdotes, testimonies, and observations, but no matter the type, the information must be appropriate and interesting for the audience and purpose. An essay written for third graders that summarizes the legislative process, for example, would have to contain succinct and simple content.

Content is also shaped by tone. When the tone matches the content, the audience will be more engaged, and you will build a stronger relationship with your readers. When applied to that audience of third graders, you would choose simple content that the audience would easily understand, and you would express that content through an enthusiastic tone.

The same considerations apply to all audiences and purposes.

 

Argument Overview Takeaways

With this argumentation overview, you can see what rhetorical or academic argument is not:

  • An argument need not be controversial or about a controversy.
  • An argument is not a mere fight.
  • An argument does not have a single winner or loser.
  • An argument is not a mere opinion.
  • An argument is not a statement of fact.

Rhetorical Arguments use three main appeals:

  • An appeal to logos (logic)
  • An appeal to ethos (credibility/ethics of writer or creator)
  • An appeal to pathos (emotion)

You can create an arguments by considering the following elements:

  • Purpose
  • Audience
  • Tone

Use those three elements to shape the content.

This chapter is slightly modified (derivative) and includes the following materials:

“What is an Argument” by Kristen DeVries in Let’s Get Writing by Western Virginia Community College under a Creative Commons Attribution 4.0 International License.

“Purpose, Audience, Tone, and Content” and “Features of an Argument” in Informed Arguments: A Guide to Writing and Research, Revised 2nd Edition is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License, except where noted.

These sources, in turn, included materials from the following sources:

Figure 1.1: “Opinion vs Argument,” by Kalyca Schultz, Virginia Western Community College,  derivative image from original by ijmaki, pixabay, CC-0

Figure 1.2: “The Rhetorical Triangle” image was derived by Brandi Gomez from an image in: Kathryn Crowther et al., Successful College Composition, 2nd ed. Book 8. (Georgia: English Open Textbooks, 2016), https://oer.galileo.usg.edu/english-textbooks/8/. Licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.

“Arguing.” In A Guide to Rhetoric, Genre, and Success in First-Year Writing, by Melanie Gagich and Emilie Zickel. Cleveland: MSL Academic Endeavors. Accessed July 2019. https://pressbooks.ulib.csuohio.edu/csu-fyw-rhetoric/chapter/8-2-arguing/. Licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.

Crowther, Kathryn, Lauren Curtright, Nancy Gilbert, Barbara Hall, Tracienne Ravita, and Kirk Swenson. Successful College Composition. 2nd edition. Book 8. Georgia: English Open Textbooks, 2016. http://oer.galileo.usg.edu/english-textbooks/8. Licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.

 

 

 

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